She also proved she could sing the deepest form of ranchera and make it her own. Selena prepared for the new market by working hard on her Spanish - in early interviews she responded to Spanish questions in English, but by the 1990s she was comfortably fluent, though she still joked about occasional mistakes. The key was her R&B-flavored version of cumbia, the Afro-Colombian style that had become popular with dancers on both sides of the border. The 1990 album “Ven Conmigo” marked Selena’s first significant crossover, hitting not only in Texas but in Mexico. Quintanilla arranged and produced all the recordings and wrote almost all the songs, often in partnership with the backing vocalist Pete Astudillo, and they rarely brought in any outside musicians. That sense of family grounded Selena’s most spectacular performances in a reassuring warmth and stability, and as she explored a growing range of styles, it kept her sound impressively cohesive. on bass, and when she married the band’s guitarist, a Van Halen-style shredder named Chris Perez, they moved into a house next door to her parents. Selena’s older siblings formed a solid rhythm section, sister Suzette on drums and brother A.B. It helped that she was part of a family band: Her father, Abraham Quintanilla, had been part of a popular Tejano vocal group in the early 1960s and raised his children to continue and amplify his dream. No matter how dazzling or famous she became, she always seemed approachable and candid, and easily laughed at herself. That mix of brilliance and normalcy created a special bond between Selena and her fans. Then, in an instant, she drops the mask, smiling and even laughing, reminding the audience they are all watching and enjoying this together - and then she again is in agony, her fist beating her chest, murmuring the final words, “como me duele,” “how it hurts me.” You can see it in a live performance of one of her defining songs, “Como la Flor.” She begins by emphasizing the heartache of the lyric, slowly drawing out the lines about a lover leaving, her face contorted in pain. Selena combined virtuosic skills with a kind of magical ordinariness. Whether she was singing hot R&B, bouncy cumbia, rootsy accordion conjunto music or her own genre-busting fusions, she looked and sounded completely at home. The previous month she had been named best female vocalist at the Tejano Music Awards - an honor she would win for nine of the next 10 years - and if her records focused on the light Spanish-language show-band pop typical of that genre, her live shows demonstrated an uncanny ability to assimilate any style that attracted her. And everything she sang came from her own background and experience.īarely 16 years old, Selena was breaking out as the new queen of the Tejano scene. While not altogether wrong, that interpretation misses an essential fact about Selena’s career: She had been crossing stylistic, linguistic, ethnic and geographical boundaries since she began singing professionally at age 9, constantly expanding both her music and her audiences. A regular theme of these projects is that the young star was struck down while recording her first full English-language album, right on the verge of crossover success. In the quarter century since her death, Selena’s legend has continued to grow, fed by reissues and remixes, numerous books, a film starring Jennifer Lopez and now a bio-series from Netflix, which debuts Friday. Growing up in Houston in the 1990s, everyone knew of Selena, the Tejano star whose death at age 23 in 1995 catapulted her to national fame. Neither sister needed to mention the name of the song’s singer. “This is so unfair!” Solange protested, before answering: “No Me Queda Mas.” First she asked for her sibling’s favorite Diana Ross film, then a choice some readers might have found more puzzling: “ ‘No Me Queda Mas’ or ‘I Could Fall in Love’”? In 2017 Beyoncé spoke with Solange for Interview magazine, and popped a couple of questions about her sister’s tastes.
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The modes on the main menu are very broad, such as My Career, My Team, and Play Now, with several modes within them. I will have more detail on this in the Gameplay and Modes section. As compared to other simulation sports games, there is a heavier necessity to use bumpers and triggers for navigation which is especially annoying because they are required for team selection in Play Now modes. It consists of boxes in a grid with colorful highlights and white writing. Overall, the interface itself is easy to navigate and follow. There are no subtitles for this and it can be shut off or adjusted in settings. Immediately following this, 2K TV starts playing automatically, which consists of constantly updated videos about the game. There is a pop-up every time detailing various rewards for the current season of challenges that you must exit out of. There are two things that jump out immediately. As soon as this selection is made, you are brought to the main menu. There are six options ranging from Rookie through to Hall of Fame with a description of the target audience for each. When you first load up the game, you can immediately select the overall game difficulty. This accessibility review of NBA 2K23 looks at the PS5 version of the game. The easiest way to describe this year’s entry from 2K Games is a love letter to basketball. It encompasses all that there is to the game, from ultra-realistic gameplay to its rich history and culture. NBA 2K has become the unrivaled king of the court when it comes to basketball simulation in gaming and 2K23 definitely builds on that legacy. 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And while those aloe lotions and potions are ok, these facial/body mists from the Japanese cosmetic stores kick it up a notch. In the nasty aftermath of my various sunburns, I used to grab for the OTC aloe lotions and such. So I am a sucker for stupid expensive base and top coat that implies it will make any nail polish last like it’s gel.Ĭontinue reading “They built me up…butter cup – butter LONDON Patent-Gel Nail Top & Tails Set” Economics have taught me that in conditions of uncertainty, price signals quality. The other day I was at Ricky’s and found the butter LONDON base & top coat set (for goddamn $40!) I forked out the dough anyway. I have been forced to pick at it til it strips off a micro-millimeter layer of keratin on my nail. And that’s another topic for a bitch fest, since gel nails always peel at the edges but impossible to get rid of once it’s a jagged little circle of color in the middle of your damn nail. I have oily nail beds that fail to hold any color for more than a couple of days, even gel nails that have been cured with UV. It’s about the only beauty area that I can have wiggle room at work, considering the Japanese investment banking culture. If there is sufficient demand, we can now create new instances within weeks.To be on trend with summer, I have been into painting my nails some pretty random bright colors lately. Also feel free to use to create a suggestion and let people vote on it. If you really would like to see an instance in another region, please let us know. We had quite a lot of demand for a European instance and all other requests were distant seconds. I don’t have a clear roadmap for that and it will depend entirely on demand. We plan to add additional regions around the world. There is currently no way to choose regions on a service by service basis. So, for instance, creating an account in West Europe will automatically cause you to also use the build service in West Europe. Selecting the location for your VSOnline account automatically selects that region for all of the services that are available in that region. Application Insights (which is still in preview) is not yet available in Europe but will in the timeframe that we reach GA. However, your source, work items, builds, etc all will only exist in the selected region.Īs of right now, the services available in the West European region include – Source code control (both TFVC and Git), Work item tracking/project management, Team Rooms, Build automation, Test case management and load testing. There is some data that is not limited to the region, our directory of accounts, user directory information and some diagnostic and operational data are examples of things that are “global data” and not restricted only to the selected region. When you locate an account in a region, all of the “account data” is limited to that region and does not leave. This is something we expect to begin addressing sometime next year. You can enter data in any language you wish but the UI for VS Online is currently English only. We will ask most people to wait just a bit longer.Īlthough we have our first instance in a non-US, non-English speaking region, we do not yet support a localized experience for VS Online. We do have a way to do it manually in an absolute emergency and you can contact support if you are in dire need but because it’s a manual process today, we can’t move very many. Enabling this is the next thing on our list but is likely to take a few months. There is currently no way to move an existing account from one region to another. You can go to the account settings to verify which region your account is in. This is something we may change in the future. If you want projects in different regions, for now, you have to have them in separate accounts. Let’s dig into some of the nitty gritty questions that you are likely to want to ask…Īn entire account is bound to a region – you can’t have some data in one region and other data in another. It’s that easy and now you have an account in Europe! You can also choose your region using the VS Online account creation flows in the Azure portal or the Azure preview portal. The account creation page will auto detect the data center that’s nearest to you or you can click the “change options” link to override the choice. You can get started today by going to and creating a new account. Whatever your reason, Europe is now an option for you. For others it’s about reduced latency to access the service. I’ve been getting requests for over a year to provide the ability to host data in different regions – for some it’s about the comfort of having their data on “home soil”. This is a big step and is the first of many more to come in making VS Online a truly global service. Today we opened up our shiny, new VS Online instance in the Azure “West Europe” region, which is located in the Netherlands. Granted, just about any time the band begin to do the really fast guitar picking, they risk falling into faceless riff territory, but at the very least it’s an interesting problem to have. “We Shall Destroy” at times sounds like a nearly identical twin to “Gods Of War Arise” from With Oden On Our Side, particularly in the moments leading up to the chorus. The only risk that the band run with writing so many songs that are so recognizable as Amon Amarth songs is that at times they tread on their own riffs. Not this time, because on Deceiver Of The Gods when things get mid-tempo, things get experimental and weird. The band keep up a speedy pace on this album, too, with very few songs dropping into mid-tempo territory, which before has been where the group’s weaker songs were to be found. Even in a modern battle with guns, the idea of dying and going to Valhalla because you were the idiot with a battle axe seems like an excellent, if skewed, idea. The titular song, “Coming Of The Tide”, and “Father of The Wolf”, with trending toward death and roll, fit perfectly with this. Putting on any Amon Amarth tune that has the same tempo and songwriting style as the title track from this disc is a good enough reason to charge headfirst into the frontlines of war, no questions asked. While you’ll never go broke playing to the cheap seats, Amon Amarth have become masters of making music that’s immediately recognizable as an Amon Amarth tune - from the bombing runs on drums, to the gallop of the guitars, to the epic circle-headbanging riffs, to the glorious fight aspect of all of them, Amon Amarth have joined the metal pantheon as the masters of the battle anthem. It seemed that Amon Amarth really found a sound during the Fate Of Norns/With Oden On Our Side stretch and since then have been subtly altering it for each release, so that you really have to be familiar with them to notice what they’re up to or you wind up writing them off as one of the most Ipod-Shuffle-friendly bands out there - every song is at least “pretty good”, but you may never go through a whole disc because the tunes kind of sound the same.įrom the first note of Deceiver Of The Gods, fans of Amon Amarth will realize that the album will give them a lot to chew on. It sucks, too, because Amon Amarth have put out some fantastic music and some very high quality albums, so there really is always a discussion to be had about the band, beyond the fact they have a fucking longboat on stage. It’s worked for them so well that they’re beyond musical discussion, because we know that, at the very least, it will be an Amon Amarth disc. It is a gimmick to which the band have dedicated themselves to the fullest, and it has permeated their whole career to the point now that we often don’t actually talk about the music when we talk about Amon Amarth. The sheer mention of Amon Amarth will cause people who have never heard of the band to act like it’s the coolest thing that they’re the Viking metal band. They’re a band people who don’t like heavy metal, or haven’t listened to much of it, will talk about as if they’re the greatest thing in the world. Despite appearances that I’ve been metal blogging forever, I’ve managed to avoid this ritual, having handed off reviews in the past to people who absolutely loved their latest disc or were so familiar with the band that they could capably argue its quality and merits.Īmon Amarth have, at this point, ascended beyond being a band and have become a cultural staple – to an Iron Maiden degree. It’s become a requirement, and something of a ritual, that at some point must discuss an Amon Amarth disc. If you are a heavy metal writer, at some point in your career there will come the moment when you cross paths with writing about Amon Amarth. (To quote the legendary Orson Welles, “We will serve no wine before its time.” The time has finally arrived for the legendary DGR’s review of the latest album by the legendary Amon Amarth.) On Twitter to get the latest gaming news straight to your feed. Which other team compositions would you like to see? Let us know in the comments!Įnjoy this piece? Don’t forget to share our work with the buttons below. or weight of other reproductive structures such as the testis and siphon sac. So, now that you’ve learned everything you had to know, what are you waiting for? Jump in TFT and have fun trying this team composition! porbeagle shark (Lamna nasus) (Moreno and Moron, 1992 Liu et al., 1999. Morgana deals insane damage with Morellonomicon and will work as the second carry after Nasus. Technically you won’t need it since Syphoner will heal everything. You can push level 9 if you have enough gold to secure Zilean, who will help revive your units. RELATED: Teamfight Tactics Patch 11.3 Brawler Guide Lee Sin & Yone are also important to get since they deal a lot of damage and can help you get rid of the enemies’ stronger units. (2002) proposed that the porbeagle (Lamna nasus) has a yearly reproductive. Morgana & Swain are extremely important since they grant the stronger Syphoner Trait. Most male elasmobranchs possess siphon sacs which are subcutaneous muscular. Once you get to level 8, get all the other units needed. Pick all the Divine champions you can find during each stage, getting them to 2* if possible. Build your economy up and get to level 8 as soon as possible. Get the Divine trait in the early game with a Syphoner (if you don’t have Chosen Syphoner Nasus). For the two items slots left, you can either get 2 Titan’s Resolve or get one with an Infinity Edge, since it now boosts ability critical damage. Jewelled Gauntlet is a must, get it as soon as possible. RELATED: Teamfight Tactics Patch 11.3 Slayer Olaf Guide Also, losing the first rounds is fine, since you will also need the right items to put on him. Make sure to slow roll in the early stages to make sure you can get Nasus to 3*. Learn about Nasus's ablities, origin and class bonuses, and the best champions to pair with. If you’re able to find a Chosen Syphoner Nasus in the early stages, then you’re good to go. Get all the up to date stats for Nasus Set 4 in Patch 11.2. This team comp revolves around one particular unit: Nasus. With that being said, let’s jump into the Adept Syphoners guide! Teamfight Tactics Patch 11.3 Guide – Adept Syphoners Credit: tftactics.gg In this Teamfight Tactics guide, we’re going to help you learn how to play the Adept Syphoners team comp! Here’s everything you need to know!Īre you new to TFT? Having trouble choosing the right team composition? We’re here to help you!įrom now on we’ll showcase the most successful compositions that will allow you to win those sweet LPs and become a TFT master! On iOS devices, downloaded puzzles are automatically removed from your device if they were solved more than 30 days prior.On Android devices, downloaded puzzles are automatically removed when you log out of the app.To view your progress, simply redownload the puzzle. If you remove a downloaded puzzle from your device, your puzzle progress will be saved.You can always re-download the puzzle if you wish. Note: By deleting a puzzle, you are simply removing the downloaded puzzle from your device. A pop-up window will then appear, allowing you to “ delete puzzle”. You can remove a downloaded puzzle on the Crossword app from your device by pressing down on the puzzle icon. Removing Downloaded Puzzles From Your Device Note: You may need to restore your network connection to sync puzzle progress with other devices and on the web. If you download a puzzle, you can also play/solve it while offline.If the puzzle has already been downloaded to your device, then no arrow will appear.In the calendar view of the Archive, an arrow on the upper right corner of the puzzle icon will appear if the puzzle has not been downloaded to your device for offline play. Then, select the puzzle again to begin play. To download puzzles from the Archive, navigate to the Archive tab and select a puzzle to download.In The Crossword app, all puzzles that appear in the Play tab are automatically downloaded to your device for offline play.Learn how to download (or remove downloaded) puzzles, as well as solve and print puzzles offline for the Crossword app (iOS and Android). To access these tools in The Crossword app, select the life raft icon at the top of the puzzle.įor the variety of puzzles only available in printed form, their puzzle solutions will be added to the Archive approximately one week after the puzzle is released. You can also turn on Autocheck, which will automatically check each square as you input a letter or word into the puzzle. Check - Checks a square, word, or the entire puzzle.Reveal - Reveal the correct letters for a square, an answer, or the entire puzzle.Clear - Clear the entire puzzle to start again.If you are stuck on a word, there are helpful tools at the top of the puzzle that you can use to check or reveal a square, an answer, or the entire puzzle. However, if the board is completely filled in but you don’t receive a message, this means there is at least one incorrectly filled square. On the web version of Crossword, when a player solves the puzzle correctly, music will play and a congratulatory message will appear on the screen. The Sunday puzzle is approximately on the same difficulty level as the Wednesday or Thursday puzzle, and is larger than other daily puzzles.The New York Times Crossword Puzzle increases in difficulty from Monday to Saturday.View a live solve of the Thursday puzzle on the Wordplay Twitter at 1 p.m.Interact with Wordplay on Twitter for encouragement.Connect with other puzzle solvers in the Comments section of the Wordplay column.If you are stuck on a Crossword, select the information icon (“i”) at the top of the puzzle in The Crossword app.The How to Solve The New York Times Crossword guide includes various ways to tackle a puzzle and includes 13 free Mini puzzles to help you learn each concept.The New York Times offers many resources to help Crossword players solve puzzles and get better at solving puzzles: Learn more about the types of games and puzzles you can play with a New York Times Games subscription. Please refer to The New York Times Crossword app for more information about playing the puzzle on the iOS or Android app. You can access the Daily Crossword in print by purchasing a Home Delivery subscription or by picking up a copy of The New York Times newspaper at your local newsstand.The Sunday Crossword puzzle is also printed in the Sunday Magazine.The daily (Monday through Friday) Crossword puzzles are also printed in the Arts section of the print edition of The New York Times.In Play, you can play The Daily Crossword and other games, or visit the Archive to view past Daily and Mini Crosswords and more. To play The Crossword in the New York Times Games app, select the Play tab from the bottom of the main screen. To play The New York Times Crossword on a web browser, navigate to /games on your preferred web browser and log in to your New York Times account. The New York Times Crossword Puzzle can be played at /games, on the The New York Times Crossword app (iOS and Android), and on The New York Times News app ( iOS and Android ). Learn general tips for playing The New York Times Crossword Puzzle, including where to play, accessibility and web-based functionality, and how to get help with solving puzzles. These drawing lessons are perfect for distance learnjng or art in the classroom. For instance, if you chose a nature theme, bring in sea shells, If you chose dance, bring in ballet shoes, etc. Contour Line Drawing This bundle of art projects saves art teachers so much time. HOMEWORK: Along with this critique and your value project, also Bring in primary sources (actual objects or photos you have taken) to class that represent parts of the theme you chose. _ Craftsmanship (Crisp edges where needed, blending and pencil strokes clean, etc) _ Proportion/Placement: When flipping triangles up & down really fast there are NO sudden movements. _ Values are correct (Dark areas are dark, light areas are light, etc.) Painting techniques for working in pastel and mixed media Step-by-step exercises on how to use photos, line drawing and blind contour drawings to spark. View the PowerPoint with your teacher and fill in the blanks of your. Areas that are darker are achieved by groupings of smaller lines, suggesting texture or a slight shadow. _ All visible outlines (not in original photo) are erased! PART ONE: Line Contour Drawing with Andy Warhol. In this drawing the thick and thin lines really help to define the shape of the body. Show them how to place the triangles on the paper and flip up and down to check for pencil value rendering and check off each area. * Spend the remainder of the class-time making the corrections and completing the final touchesīRING PROJECT HOME AS HOMEWORK AND HAVE A PARENT/GUARDIAN CRITIQUE. Point out where needs corrections/ modifications. Are the transitions from one value to another correct? (Soft transitions blended well, crisp edges for abrupt value changes). Can you see the pencil stroke? If so, maybe overlap the oval pencil strokes in different directions or make the oval stroke smaller. Value changes? Any areas need to be lighter or darker? Any details missing Where?Ħ. Proportion and Placement: When flipping triangles up and down really fast is there any sudden m ovement? Point out what needs to be moved, shifted, etc.ĥ. Any areas need eraser work (Dark areas that need lighter details or highlights)? Where?Ĥ. All visible outlines (not in original photo) NEED to be erased! Point out where they are!ģ. Pair-Share with someone your Value Project.Ĭ ritique each other and write down what your partner has said during the critique to assist you.Ģ. |
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